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IV Moscow international festival of visual anthropology 

 

DOWNLOAD festival catalogue (pdf-format, 3.5 Mb)

FESTIVAL OPENING

Leonid Sergeevich Filimonov
(19392008)

Leonid was a very profound and whole-hearted person. All his life was defined by one passion — cognition of the world at first through the objective of a camera and lately — video camera. His education was subjected to this purpose too. He studied at the geographical faculty of the Moscow University and then at the department of the producer work of documentary films of All-Union Institute of Cinematography.

Visual anthropology was a visual anthology for him, it became a field of action, which absorbed all his life experience and the most perfectly realized his purposes, given a opportunity to express his attitude to life. Till his last days he tried to give us — his colleagues and friends — something innermost, what he achieved and what he has not manage to realize.

Practically all activity of “The Centre of Visual Anthropology of the Moscow University” and the organization of Moscow festival of visual anthropology in particular were defined to a great extent by the work, authority and position of Leonid Filimonov. It is hard to know that we will never see his new films, never hear his critical and thoroughgoing pronouncements, which were born by the penetration into the very heart of the problems which trouble us.


Leonid Filimonov was the director of scientific and educational films of the video group of The Moscow State University Center of New Information Technologies and the director of the “Visual Anthropology” research program of the Moscow State University since 1989. In 1998 and 2000 he was prized by two Russian festivals of anthropological films “Salekhard 1998” and “Salekhard 2000”. In 2002 he?d got the Prize “Silver Nanuk” on a nomination “Visual anthropology” at 4 international festival of documentary films “Flaertiana” on June, 1—4, 2002.

Selected filmography: 1992 Molokan spiritual chants, 1993 A group portrait with Trinity, 1994 In the beginning was the rhythm; One third of the circle, 1998 Visual onthology, 2000 Wear and remember, 2002 Oh, my rubies and sapphires...; Intercession of the Virgin with the Kilins; 2002 And there evening, and there was morning, 2004 Family of Petr and Eudokiya, 2005 Tub.

INTERCESSION OF THE VIRGIN DAY OF THE KILIN FAMILY

33 mins, Russia, 2002
Director / company: Leonid Filimonov / Centre of visal anthropology, Moscow State University

Anany Kleonovich Kilin — religious philosopher, writer, spiritual leader of one of the most viable old believer communities.. A person whose spirit could not be broken neither by collectivisation nor by years of war and persecution of faith.After long wanderings, at last, it was possible for him to find a place for his family in the suburbs of one of the cities in the south of Russia. Gradually, relatives and friends of the same faith have joined them. We were invited to a holiday of the Intercession of the Virgin, on the same day as An any Kleonovich.s birthday. We hope that the film will help you, too, to adjoin to the world of these people.


AND THERE EVENING AND THERE WAS MORNING...

30 mins, Russia, 2002
Director / company: Leonid Filimonov / Centre of visal anthropology, Moscow State University

And the mist cleared away and opened a world in front of us, which we entered and which entered us. And we spent that day together...

And then the night came, and the world again immersed into its mystery (Altai, Kurmach-Baigul, August 28, 2001).


FILIMONTOLOGY

60 mins, Russia, 2008
Director: Evgeny Alexandrov

This film was shot several months before Leonid Filimonovs death.

He had been frail and infirm for a long time. The illness was becoming more and more painful and taking more and more energy. In his last years Leonid found it difficult to create films and he started digitalizing his huge photo archive. Certainly I would have preferred to show him such as I remember — strong and handsome whose friend and colleague I was happy to be throughout my adult life. But back then I did not think about the coming farewell. The beautiful time seemed to linger forever...


Debut Competition

LAST STAND AGAINST CONCRETE

26 mins, United Kingdom, 2006
Director: Leonie Morris

Sleeping in tree houses and eating from bins, for the past fours years an international group of activists have lived in Bilston Woods to prevent it being destroyed by the building of a new road.



This is the Leonie Morris’ first film. It was made as the final project for an MA in Visual Anthropology at Manchester University. Prior to this, the filmmaker completed an MA in Anthropology and Sociology at Glasgow University.


A LIFE WITH SLATE

59 mins, Nepal & Norway, 2005
Director / company: Dipesh Kharel / Visual Cultural Study Program, University of Tromso

Alampu is a beautiful and exceedingly remote village in Nepal. The majority of the villagers are Thami, one of the indigenous groups of Nepal and more than 90 % are involved in the local slate mine. Their lives have an almost poetic dimension, as strong women perform the tough and arduous work alongside the men in the mountainside mines, carrying heavy slate loads to sell them in distant villages. The film shows how co-operations between the miners makes this tough life bearable, as well as intimate scenes of the life of young mining families. It describes the socio-cultural life of the village and its interaction with the environment.

Dipesh Kharel is a filmmaker and ethnographer. He has a Master in Environmental Management and Sustainable Development from Pokhara University in Nepal and has studied Master of Philosophy in Visual Cultural Studies Program at University of Tromsø in Norway. His fieldwork has resulted in the text: “Heavy loads toward a better life” and the film: “A life with slate”. He was awarded with several fellowships. His film “A life with slate” has already screened at many international film festivals and won the several prizes.


WITTENOOM

14 mins, Australia, 2006
Director: Caro Macdonald

In outback Wittenoom, life is becoming increasingly insular. The government claims this ex-asbestos mining town is polluted, attempting to shut the town by bulldozing buildings and cutting off power. Now nature is taking over. Yet eight determined residents of the once boom-town remain.


Caro Macdonald has merged her interests in film and anthropology. A Masters student at Manchester’s Granada School of Visual Anthropology in 2000-2001, Caro’s graduate film ’Pushy Women’ is about the unusual world of female sumo wrestling in Japan. Caro has since worked in the field of Indigenous Australian land rights. In 2006, Caro completed a Masters in Documentary Filmmaking at Melbourne’s Victorian College of the Arts. Her graduate film ’Wittenoom’ is about a dying outback Australian town which is plagued by it?s asbestos mining past.


TESHUMARA, GUITARS OF TUAREG REBELLION

51 mins, France, 2006
Director / company: Jérémie Reichenbach / Hibou Production

In 1963, short after the Mali state Independency, Tuareg rebellion against the new authorities, which will end in a blood bath. Terrible dry seasons will follow, pushing thousands of Mali and Niger Tuareg refugees on the road to Algeria and Lybia. So is Teshumara born, in pain and exile, as a cultural and political movement stating the existence of Tuareg people, and calling for their emancipation. This film is a tribute to the memory of Teshumara, and of Tuareg tragedy.


ROYA AND OMID

15 mins, United Kingdom, 2006
Director: Elhum Shakerifar

“Roya and Omid” is an exploration of transsexuality in the Islamic setting of Iran. Bardia, a young female-to-male transsexual reflects on his childhood spent in the wrong body, when he was known as Roya (“dream” in Persian), but wished to be Omid (“hope” in Persian). His narrative is crossed the insightful comments of several male-to-female transsexuals in Iran — Donya, Handry, Leila and Shirin, who have to endure the daily scorn of society in their new roles as women.


Elhum Shakerifar grew up in France and in the UK. She completed her undergraduate degree in Persian and Islamic Studies at Oxford in 2004, after which she studied Visual Anthropology at Goldsmiths, University of London.

Her research so far has mostly dealt with the status and rights of social marginalities — ranging from gender issues in Islamic cultures (particularly temporary marriage and transsexuality) to portrayals of mental and physical disability in contemporary Western societies. She has long been active in various charitable organisations working essentially in projects of photography and filmmaking.


UNWORLDLY...

23 mins, Russia, 2008
Director / company: Vladimir Golovnev / Time Path Filmstudio

Siberian village Okunevo is known as a sacred place for many years. Recently it became the place of pilgrimage for people of various religions simultaneously. Sergei and Valentin are the residents of Okunevo. Sergei is mentally retarded, and Valentin is unable to walk.

Vladimir Golovnev was born in 1982 in the Omsk city. In 2004 he has finished historical faculty of Omsk state university. In 2005 he has received the diploma of Independent school of cinema and TV “Internews” (speciality “Film director”).

SANGITA PRIYA LOVER OF MUSIC

34 mins, United Kingdom, 2007
Director / company: Anne-Katrine Hansen / The Granada Centre of Visual Anthropology at The University of Manchester

This portrait of 4 musicians — a teacher, a student, a professional and a promoter — takes us from bhajans (devotional songs) in the temples to improvisations on stage and in recording studios in Kochi, Kerala, in an exploration of 4 lives linked by devotion to the music that permeates life in India.


Anne-Katrine Hansen holds a Master in Visual Anthropology from The University of Manchester, UK, and a BA in social anthropology from The University of Copenhagen, Denmark. Together with fellow students on the BA, she made her first film on young immigrants in a “ghetto” in Copenhagen. She then went to India doing an internship with Esok Film during the production of the film “Kathakali — Gudernes Dans” (Kathakali — Dance of the Gods). On the MA in Manchester she made 3 collaborative films, “Practically Married” (on intercultural marriage), “Svop United” (On two teenage sisters on their first sole journey) and “Belle Vue” (on the English dog race tradition). Anne-Katrine finished her MA in Manchester with “Sangita Priya — Lover of Music” and plans to pursue new film projects.


DREAMS COME TRUE

20 mins, Russia, 2007
Director / company: Antonina Korneeva / Saint-Petersburg State Univeristy

The documentary film “Dreams come true” is a picture of a person who lives in harmony with himself and his social field and environment for he creates his own world. The authors try to comprehend hero’s philosophy, sources of his mental and emotional liveliness that is not depend on his living conditions.


Antonina Korneeva was born in 1981 in Saint-Petersburg. She graduated from the Sociology Department, Saint-Petersburg University. Her viewer?s interest in ethnographic film has grown into the self-taught film studies. She shot her first film in cooperation with her husband, a professional sound director Dmitry Denisov. Now Antonina is writing a dissertation on the visualization of scholarly knowledge and teaches at the university.

LIFELIBRARY

15 mins, United Kingdom, 2007
Director: Amanda Hill

The world of the library is complex, full of ambiguities and double meanings. It has had little attention in anthropological debate or in the minds of most of its users. Upon further consideration, its seemingly unobtrusive or neutral position in the conscious thought of many brings about questions of its purpose, its use, and its history. Infamously known as the place where stuffy old maids and eccentric grey haired men flip through catalogs, rejoice in collecting library fines, and are quick to let out an annoyed hiss-like shhh! at the slightest disturbance. The film is a portrait of a changing world within and without the library.


Amanda Hill holds an MA in Visual Anthropology from the University of Manchester, UK and a BA in Anthropology and German Language and Literature from the University of Colorado, USA. She is currently developing new film and sound art projects whilst facilitating the production of short films made by young people in Manchester.


17 MINUTES IN BORDER DISTRICT

17 mins, Russia 2008
Director: Galina Rodionova

The Film is devoted to the meeting of two cultures — Tajic and Uzbec — in the region Tajic Pendjikent near the borders of Uzbekistan. Culture of both peoples are quite different and the history of their relationship is full of conflicts. The author made an attempt to show folk part of culture of these people — their music that is so similar and full of common values and life experiences.


Galina Rodionova is Master of Sociology, since 1994 worked for different social organisations and projects. Her specialization is assessments and monitoring of rural life, especially rural poverty. In 2007 she shot her first film “Keepers” about Tajic and Uzbec folklore in Tajikistan. In 2008 participated in IV Moscow Visual Anthropological Festival with the film “17 minutes in boundary region”.

9 MAY 07

20 mins, Russia, 2007
Director: Boris Budinas

Documentary on 9 May 2008 in Moscow — Belorusskaja Square, Victory and Gorky Parks. Street musician — accordionist. In June 2007 at Manezhnaja Square. No words — only video and Russian melodies.


Boris Budinas has Phd in Mathematics, member of the Russian Union of Painters. His first video cam was bought in 2004 since then he shot so called “video evidences” — local cultural conferences in the city of Myshkin, memories of war veterans and so on.


MONTI MOMENTS: MENS MEMORIES IN THE HEART OF ROME

39 mins, USA, 2007
Director / company: Michael Herzfeld / Harvard University

In the rapidly gentrifying neighborhood in Rome the epoch of social changes begins. The film captures the poignant memories and quiet desperation of men who today face increasing threats to their lives as artisans and shopkeepers and as residents of a once mostly working-class neighborhood amid some of Rome’s most famous monuments. The men’s standing as economic providers and true representatives of the local culture is now threatened by a massive epidemic of evictions and by astronomical cost increases. They nevertheless recall with wry humor the poverty, scandals, and glories of a past that for them is still very much alive and that animates the sunwarmed ocher walls and cobblestones of their quarter.


Michael Herzfeld is Professor of Anthropology and Curator of European Ethnology in the Peabody Museum at Harvard University, where he has taught since 1991. He was educated at the Universities of Cambridge (B.A. in Archaeology and Anthropology), Athens, Birmingham (M.A., Modern Greek Studies, D. Litt.); and Oxford (Social Anthropology, D. Phil.). His research, which has been conducted in Greece, Italy, and Thailand, addresses questions of national and local identity, historic conservation, the transmission of knowledge, and gentrification and its discontents.

HARLEY... THE BAD PEOPLE?

16 mins, Noway, 2007
Director/company: Mashhood Ahmed Sheikh & Seifu / University of Tromsø

This ethnographical film is about a company in Tromsø named Harley Davidson, the official dealer of the brand that sells Harley Davidson motor bicycles and accessories in the northern part of Norway. The film starts by introducing Lars (owner of the Harley Davidson Garage) and some of the customers. Later on it takes us deeper into the Haley Davidson Milieu here in Tromsø.


Mashhood Ahmed Sheikh was born on December 27, 1981 in Lahore, Pakistan. After Graduating with Journalism the Director did one year Diploma in Graphic Design from College of Art & Design, Punjab University. Apart from that the Director has done Training from GEO Television in 2005, Macromedia Authorized Training in 2005, a Certificate in Media Production (Video Production) from Post Graduate center for Multimedia Arts, National College of Arts, Lahore in 2006, Fashion Photography Course from National College of Arts, Lahore. One year Professional Diploma in Photography from Fine Arts Department, Punjab University. Currently the Director is studying MPhil Visual Culture from University of Tromsø, Norway.


J'AI REVE

40 mins, Belgium, 2006
Director / company: Guy Bordin & Renaud De Putter / Gsara

July in Mittimatalik, a small and remote Inuit community of Baffin Island, north of the Arctic Circle. The sun doesn?t set for almost three months. The glasiers run into the sea, the ice fields crack and float off, pushed by the wind. This is the blank page on which the stories of the dreams we collected are written, dreams of life, death, motherhood, anxiety and isolation. Ties are raw stories. There is no deciphering. Ties unnoticeably are woven between the dreamers and their world. A fragile balance is struck and dialogue continues.

Guy Bordin was born in 1959. Educated as a scientist, he has a long interest in the Arctic world. First he explored its environmental aspects and only then he turned his attention to the human and cultural dimensions. An author of many publications, Guy Bordin has a degree in the Inuit Culture and Language and works now on the representation of the night among the Canadian Inuits. “I Dreamt” made in cooperation with Renaud De Putter is his first film.


Renaud De Putter was born in Bruxelles in 1967. His creative work develops in the domains of the film, music and text and is always concentrated the themes of identity and memory. In 2002 he shot Songs of Simplification. After I Dreamt made with Guy Bordin he has just prepared Apart from Songs (Helicotronc) about the life of the Canadian singer Marie Toulinguet.

LEYSSART

31 mins, United Kingdom, 2007
Director /company: Alexander Hirl / Granada Centre for Visual Anthropology at The University of Manchester

Therese and Dominique started the rare breeds farm Leyssart in Southern France with barely any money and the help of friends. Now, 20 years later, they take care of over 8000 animals, have five children and rely on voluntary workers and interns. It is an idealistic project that is based on Therese?s and Dominique?s passion for their work and philosophy of life. But their passions have grown apart: he lives for his animals, she tries to integrate work and family life. The film follows them in their struggles, conflicts and reflections on the nature of relationships. Are ideals sustainable? Does work and family mix? What is the passion for nature, the nature of passion?


Alexander Hirl was born in Munich in 1980. After studying acting in Vienna and working as a set-runner for a well known German TV series he decided that the unpredictability of everyday life was of greater interest for him than scripts or rehearsals. A documentary filmmaker introduced him to the field of Social Anthropology. Inspired by this he studied Anthropology in Munich where he produced his first documentaries and worked for a documentary production company. He just graduated with an MA in Visual Anthropology at the University of Manchester.


THE PLAYERS

18 mins, Russia, 2006
Director: Elena Larina

In the middle of June 2006 it is snowing and cold because summer in Chuyskaya valley of Gorny Altay is the same cold and short as in Arctic Tundra. On the summer kitchen of the Kazakhs Toremurat and Nurgasha adults play dice. While adults remembering the rules of the game little Djanat felt the mood of the game. Long time ago “asiki” (Kazakhs dice) were very popular among all the the Kazakhs, now it’s just the reminder of the childhood.


Elena Larina is associate professor of Ethnology in Moscow State University, her specialization is history and culture of the people of Central Asia.

ONCE UPON A TIME

24 mins, Taiwan, R.O.C., 2007
Director / company: Akira Chen /Akira Road Film Co. Ltd.

This is the first attempt in Taiwan with mere Tayal language in presentation and more importantly all the actors are Tayal people. By incorporating themes like migration, hunting, weaving, dreams and the communal memories, the movie conveys the traditional ecological knowledge of Tayal. For this film, the local Tayal dwellers are actively involved in the construction of the scene buildings that are expected to turn into their local museum in the future. Moreover, they were trained to act in the film to play their ancestors. ln this way, this film exemplifies an empowering dimension for the modern local Tayal people through revitalizing their ecological traditional knowledge and collective memories.


Akira Chen — Graduated from Graduate School for Social Transformation Studies of Shih Hsin University, the director Akira Chen used to work as a journalist, and parliament assistant. After taking part in making of several TV dramas, films, documentaries, and having some experiences in stage drama, the director is now an independent film maker. As the director and scriptwriter of Once Upon A Time, Chen hopes that this movie can serve as a catalyst for engaging the audiences in the ancient world of Tayal people and furthermore to think about the issues related to the people’s current situation.


TOYUK ABOUT STESHA

21 mins, Russia, 2007
Director / company: Sergey Anaskin /
“A-Film” Studio

Stepanida Borisova (Stesha) is one of the most gifted theatrical actress and folk singer, living in Yakutia (North Siberia). Our film displays only few days from her life. Rehearsals before new CD recording. Difficult female part in epic period stage production. Journey to distant village (she wants take part in traditional yakuts folk festival Ysyakh). Stesha grew up here. Native place bring her nostalgic memories...


Sergei Anashkin was born in 1965. Graduated from Cinematologic Faculty of VGIK. Author of many articles published in “The Art of Cinema”, “Premiere”, “Kinoforum”, “Seans” and “The Other Cinema” magazines. He is a member of The Cinematographical Union of Russia. Member the jury on Moscow, Kiev and Fribourg Film Festivals. In 2007 shot a debut film “Toyuk about Stesha”.

REINDEER MEN

27 mins, Italy, 2008
Director: Elena Shabeeva

Reindeer breeding is an essential aspect of Saami culture. Living in a self-made hut on an island Nikolai and Maria always stay in contact with their domestic reindeer herd. And the job of a reindeer breeder is not so simple. But this nomadic way of life is their choice. Is this just a surviving or there is something more?


Elena Shabeeva was born in Petrozavodsk in 1977. Graduated in psychology from the University of Karelia in 2000. Since 2003 she has been living, studying and working in Italy. In 2004 she started to study in Florence University. Stages in Florence Film Production and Editing Laboratory of Videolab, workshop in visual anthropology permited her to do different research in anthropology and psychology. The Reindeer Man is her first work.


THE AL-HADJI AND HIS WIVES

50 mins, USA & Cameroon, 2006
Director: Jie Li

The Al-Hadji and His Wives is a 50-minute film portrait of a Mbororo Fulani patriarch, Al-Hadji Isa, his savvy wives, and their rebellious daughters. The documentary provides a glimpse into their everyday lives, religious and moral practices, as well as the political opinions the Al-Hadji has to offer from his particular corner of the world. With a critical but sympathetic gaze, it also chronicles and investigates the process and rationale by which Amina, a 16-year-old daughter of the family, is forced into an unwanted marriage. While her attempted escape had been in vain, Amina has inscribed her silent protest on the walls of her mother?s hut and onto the film, serving as a testimony of women?s resistance and resilience under an oppressive patriarchy.


Jie Li grew up in Shanghai and New York City and is now a graduate student in Chinese literature and film studies at Harvard University. Her documentary films, A Village Across the World and The Al-Hadji and His Wives, have been broadcast on television and screened in film festivals around the world, including the Tiburon International Film Festival, Bilan du Film Ethno-graphique, The Society for Visual Anthropology Film Festival, Parnu Film Festival, The Mostra International Ethnographic Film Festival, and Days of Ethnographic Film Festival. Apart from making films, she is a published bilingual writer of fiction and non-fiction and is currently working on her Ph.D. dissertation.

SOMEBODY LIKE ME

229 mins, Tanzania & USA, 2008
Director / company: Ashley Shuyler / Harvard Media Anthropology Lab

The film follows Ngunina, a young Maasai woman who was the first in her village to go to secondary school, after she returns to her family home in Tanzania. As Ngunina tries to share her story with the filmmaker — who was also the American sponsor of Ngunina?s education — the complex nature of their relationship is gradually revealed. By attending to the everyday activities of Ngunina and her family, framed by the interactions between filmmaker and subject, this nonfiction video observes those moments of discomfort — and simultaneous efforts toward empathy — that result when ethnography, “sponsorship” and friendship intersect.


Ashley Shuyler is a student at Harvard University, and the founder of AfricAid, a non-profit organization that works to support girls? education in Tanzania. Through her work with AfricAid, and because of her academic research for Harvard, Ashley has spent time living, working, and teaching in Tanzania for the past decade. In “Somebody Like Me”, which is her first film, Ashley lives with her Maasai friend Ngunina, the young Tanzanian woman with whom Ashley exchanged letters for years of her childhood.


INSIDE THE KALARI

20 mins, India & UK, 2007
Director / company: Ian McDonald / Pooram Productions

Kalari: a sacred pit. Payattu: exercise. Kalarippayattu is a martial art indigenous to the southern Indian state of Kerala. Originating as a form of combat in medieval south India, its followers claim that it is “the mother of all martial arts”. Yet few people outside of Kerala have seen or even heard of this practice. Inside the Kalari is a lyrical and atmospheric portrayal of kalarippayattu filmed in a traditional kalari located in Thiruvananthaparum. Set against Keralite music and beats, it focuses on the aestheticised movements of the practitioner?s bodies as they progress through the various levels of training and practice, to capture the aura and essence of kalarippayattu through the day-to-dayness of its existence.


Ian McDonald is a sociologist and documentary filmmaker. He teaches at the University of Brighton, UK. Ian has researched and published widely on the politics and sociology of the body in India. Inside the Kalari is the culmination of his quest to distill the essence and the aura of kalarippayattu. It comes after three years of research on kalarippayattu, involving extensive travelling up and down the coastal strip of Kerala to document and film this martial art.

APA OF THE CHIMBU

54 mins, Australia & Germany & Papua New Guinea, 2007
Director: Verena Thomas

In 1937 a young missionary, Father John Nilles, arrived in the highlands of Papua New Guinea. There he would stay for the next 54 years, living with the people of Chimbu, learning their language and way of life, introducing them to his God and Western culture. More than just a priest, he would become an anthropologist, linguist, politician and clan leader. Through Nilles’ extraordinary archive of photos, diaries and letters as well as interviews with those who knew him, filmmaker Verena Thomas pieces together a portrait of this fascinating man — her greatuncle. What she discovers is an unexpected new family, who had made “Papa” Nilles one of their own.


Verena Thomas born in Germany, Verena Thomas is now based in Sydney, where she completed a Masters of Media Arts and Production. For the last decade she has worked in the Australian and international film and television industries as a motion graphics designer and editor. Papa Bilong Chimbu is Verena’s first long-form documentary as director and producer. In 2006, she returned to Papua New Guinea to show the film at a series of community screenings. Now, as part of her Doctorate of Creative Arts, she is working to set up media workshops in the Chimbu province of PNG to enable the people to record and tell their own stories.


HOME

33 mins, England & Japan, 2007
Director: Jennifer Tomoe Peachey

“Home” is an intimate and warm portrayal of the film-maker?s Japanese mother, which explores experiences, reflections and memories of family and life in Japan and “barbaric England”. As the journey unfolds, we find ourselves in Japan for The Festival of The Dead. Here, an unexpected twist reveals the emotional idiosyncrasies that lie behind this national cultural festival, provoking us look inside ourselves to question the importance of “blood”, “land” and “culture” in understanding “home”, “family”, and who we are in the world... A film about memory, migration, and auto-ethnography.

Jennifer Peachey has a BA in Social Anthropology from the University of Cambridge ,an MA in Visual Anthropology from the University of Manchester and has just started a PhD at the University of Aberdeen. She is interested in experimental film and utilising the filmic medium to both express and make accessible anthropological ideas to those outside of the discipline and play with theoretical concepts within the discipline.

HOPE DESPAIR LAUGHTER: A CIRCUS PROJECT IN PALESTINE

27 mins, Palestinian Territories, 2007
Director / company: Esther Hertog / Granada Center for Visual Anthropology, Manchester

Filmed in Dheisheh refugee camp in the West Bank, the documentary follows a group of children with their Palestinian and European trainers, participating in a circus summer-camp. Despite the joy and laughter of the circus there are constant reminders of the ongoing political confrontation. How is the conflict integrated in the children’s everyday reality and the circus activities? What place has the circus project in the children’s hope and despair?

Esther Hertog, born in Amsterdam, lived for twelve years in Israel. In 2002 she moved back to the Netherlands for her BA studies in Cultural Anthropology at the Amsterdam University as well as the Visual Ethnography course at the Leiden University. She finished her Bachelors with the film Ossama?s Dance in 2006. Esther studied for her MA in Visual Anthropology at the Granada Centre for Visual Anthropology, University of Manchester. In addition to her studies, Esther is an acrobat performer and trainer. Thus, for her final project she made a film about a circus project in Palestine, combining her circus skills, her connection to the Middle East and ethnographic filmmaking. She lived for one and a half months in Dheisheh refugee camp in the Westbank where she taught in a circus summer camp and filmed Hope Despair Laughter: A circus project in Palestine.


38 BABA VISNJINA STREET

15 mins, Serbia, 2007
Director / company: Ivan Ramljak / Atelje Varan Belgrade

In the Belgrade quarter Chubura, at the address 38 Baba Visnjina street, there is a yard where until recently 11 families were living. A few days before the demolition team arrived, there remained only one fig tree, one apple tree, and one man.


Ivan Ramljak was born on in 1974. For the last 10 years he worked mainly as a journalist and film critic. Apart from that he also organized lots of cultural events (Film Mondays in Močvara club, 1. Human Rights Film Festival Zagreb, DocHouse film nights, music concerts etc....). In the summer of 2007 he participated in Atelje Varan Paris Documentary Workshop that was held in Belgrade. 38 Baba Višnjina Street is the product of that workshop, and his debut film. In the beginning of 2008 he will direct his first professional short fiction film called Siget.

Main Program

BECOMING A MAN IN SIBERIA

52 mins, France 2005
Director / company: Benoît Ségur / ZED

The Nenetses, the last reindeer breeders of the Great North, live in northern Siberia. In this universe, dominated by the cold and frighteningly violent winds, Edik must learn about the difficult life of a reindeer breeder. If he proves worthy of his ancestors, he will take his place among the men.

In southern Siberia, live the camel breeders of Bactriane. Natsag, the head of the family, has decided that, with the help of the spirits, this is the year he will choose which of his two grandchildren, Altagan or Dsolbo should take charge of half of the herd. The boy he chooses will thus gain his independence and will be recognized in the Mongol world as a true man.

Benoît Ségur was born 15 November 1966 in Tour. He became the fourth child in the family of a military doctor. The meeting with different countries and peoples started while his childhood thanks to his father's voyages. At the age of 21 he went to Indonesia to make his first film. Life and traditions of aborigine peoples became the main theme of his work.During 18 years of work he made about 30 films in four corners of the earth. Benoit Segur looks forward to continue his work in Russia, the country which many Europeans even now see as terra incognita, the country which will keep on impressing the world by its reach history, culture and traditions.


VJESH/SINGING

57 mins, Italy, 2008
Director / company: Rossella Schillaci, Azul Prozuzioni / Etnolab, Archivio di etnografia e Storia sociale

With sharp voices, the women of St. Costantino and St. Paul Albanese sing the most heartrending songs. These are the ancient vjeshet, handed down from mother to daughter. They tell of the Albanian escape to seek shelter in southern Italy, five centuries ago. But they are also the creative expression of women who, to make light of their work in the fields, "threw" songs from one hill to another, to be "picked up" by the other women. These songs tell the stories of brave and ironic women, stories of emigrations and returns. As long ago as 1954, the anthropologist Ernesto De Martino organized an expedition to these two villages and recorded the vjeshet. But now, more than 40 years after that expedition, as they themselves relate, with irony, it is the women themselves who make the wider world aware of the their songs by giving concerts throughout Italy, and even as far as Albania and France.


Filmmaker and researcher, Rossella Schillaci attended a MA in Visual Anthropology in Manchester. She worked for Laranja Azul, a Portuguese production company, working also as cameraman for O linho um sonho. In 2001 she made a documentary for the Danish television; then she participated to the EU-India Documentary Initiative, shooting in India Living beyond borders , a documentary for the TV serial "The space of life" produced by The Thomson Foundation, broadcasted in Indian national TV. At present, she work besides as assistant director for TV and as researcher in the University of Milan and in a Archive of Ethnographic.
Filmography: 2000 Ascuntami, 2001 Euro blows over Strombol, 2004 Living beyond borders, 2005 Pratica e maestria, 2007 Vjesh/Canto.

DANCING FOR THE CAMERA

57 mins, Czech Republic, 2007
Director / company: Petr Hajn / Direct Film s.r.o.

The documentary film is a unique documentary study of fenomenon of sword (weapon) dances, tradition preserved up to now across European countries. The film arises from the work of famous Moravian ethnologist Frantisek Pospsil. The authors gained the copies contained an unpublished editing of sword dances in Europe shot apparently at a time from 1920 to 1926 by Frantisek Pospsil. The archive shots from the twenties confronted with contemporary reality form the first backbone of the documentary film. The second backbone of the document is formed by the person of Frantisek Pospsil, the film enthusiast who at the time of the culminating economic crisis travels across Europe and makes his film records with a heavy film equipment.

Petr Hajn was born 1963 in Plzen. He graduated from Faculty of Law of The Masaryk University in Brno and the Prague Academy of Art (documentary film studies). He worked as free lance photographer, director assistant for TV and private production companies in Brno and Prague, then as a director for Czech Televizion, RAI, ZDF, ORF and other European public TV and private production companies mainly making TV documentaries, TV concerts and TV films. Since 1993 he is the owner of Direct Film (Film and TV independent production company).
Selected filmography: 1996 Workshop Of The Soul, 1997 What I Confess To, 2001 Solstice.


MASKED CORROBOREES OF THE NORTHWEST

46 mins, Australia, 2008
Director / company: Dominique Sweeney / The Centre for Cross Cultural Research, Australian National University

In northwest Australia a range of corroborees incorporate the use of masks. These and other performance objects connect bodies to country, cultural knowledge and ancestors. The Miriwung, Narinyman and Worla people in the film discuss and perform the animation of Ungud (rainbow serpent) and Ngarrangkarni (dreamings) through performance. Do performances then mean the same when performed away from their country of origin at national and international festivals? Are the conceptual categories "performance" and "mask" sufficient to describe what is happening in these circumstances?


Dominique Sweeney trained and works as a performer. His education included two years in Paris at L'ecole de Theatre, Jacques Lecoq, while his work has seen him on stages, screen and other locations throughout Australia. He has a B.Ed in drama/dance/philosophy from Deakin University (Rusden). Working with masks, (directing, devising and performing) has led to Dominique's current PhD research which includes this film.

Confluences Emerillon of French Guiana

78 mins, Denmark & France, 2007
Director: Perle Møhl

Like forceful omens, scientific reports have hitherto depicted the Amerindian Emerillon as cultureless and doomed to disappear. With this film, an anthropologist proposes to defy these negative images, by the same token delving into their world. Several young Emerillon take up the challenge, and through their resourceful and often stumbling efforts to maintain a life in the forest while profiting from their status as French citizens, they present another version of what being Emerillon is about. Emerges a rare, profoundly generous and non-ethnocentric discourse, one that asserts that to feel.

Perle Møhl, anthropologist (PhD) and documentary filmmaker Independent researcher (AnthropE), member of Ateliers Varan since 1992. Author of books and articles about film and visual anthropology, village communication in France and representations of the Emerillon of French Guiana.
Selected filmography: 1988 Limfjordsfisker, 1994 Ainsi va la terre.


WE ARE ALRIGHT TILL NOW

68 mins, Macedonia, 2008
Director / company: Vladimir Bocev / MRAMOR

Cveta and Dimche, Menka and Blagoja, are aged members of two lonely families. They live with the thought that the train arriving and leaving from the village every day would one day bring some of their numerous children and grandchildren to visit them.


Vladimir Bocev born in Skopje, Macedonia in 1961. Graduated in ethnology at the St. Cyril and Methodius University in Skopje. In 2006 acquired the title Master of Arts at the St. Cyril and Methodius university in Skopje with the thesis Visual Ethnology of Macedonian Deserted Villages in Ritual Times of Festivities.

Employed in the Museum of Macedonia as ethnologist curator for the collection of customs and traditional music instruments. Accomplished research projects Rituals with Masks and the international project Sacrifice in the Customs of Macedonians. Staged several one-man exhibitions. Author of many films participating in official competition on numerous ethnographic film festivals in Europe.

HOLY MEN AND FOOLS

71 mins, United Kingdom, 2006
Director / company: Michael Yorke / Upsidefilms

Award-winning filmmaker, Michael Yorke, goes on a Himalayan pilgrimage with two wandering Hindu monks. They are both "sadhus", members of the most extreme Shaivite ascetic order, the Juna Akhara.Uma Giri was once a Swedish model, but when her family collapsed 30 years ago she took refuge in a Himalayan monastery. Today she is the only woman initiated into a male order. Vasisht Giri, is a 29-year-old Indian, educated in a Christian convent school. He ran away from his wealthy parents when he was sixteen years old and spent fourteen years meditating in Himalayan caves.Together they go on a pilgrimage of self-discovery into the high Himalayas, to the source the Ganges and Yamuna rivers, searching out saints and mystics. This is an intimately observed broadcast quality documentary. Exploring the inner motivations of two people and why anyone would follow one of the most extreme and arduous religious disciplines known to the world in one of its most beautiful environments.

Michael Yorke, as an academic anthropologist and a leading documentary maker. He is a specialist in Indian tribal communities and has researched among the Munda and the Gond peoples. He now lectures in Visual Anthropology at such institutes as the LSE, SOAS, Oxford University and the Manchester University Granada Centre. He is an active busy member the Royal Anthropological Institute Film and Festival committee and runs the Oxford Academy of Documentary Film.
Selected filmography: 1974 The People Of The Rice Pot, 1983 Dossers, 1984 Muslims In Britain, 1988 Taking The Heat, 1991 Eunuchs: India's Third Gender, 1993 The Living God, 1995 The End of Eden, 1999 Medicine Men: Siberia, 2001 Kumbh Mela: The Greatest Show on Earth, 2002, The Tallest Story.


OLD PETR

26 mins, Russia, 2008
Director / company: Ivan Golovnev / Ethnographic Burau Studio

The dialogue between people, nature and gods is based upon a sacred knowledge and mythology. In the modern world only a few cultures based on myth survive. This film takes us into the word of old man Peter Sengepov, the last surviving Shaman of the Kazym River, who lives alone in the depths of the Siberian taiga.





Ivan Golovnev graduated from the Omsk State University, History department. In 2002 finished college at the Sverdlovsk Film Studio in Ekaterinburg, department of directors of cinema and TV. In 2005 finished the Highest Courses of Film Writers and Directors in Moscow, department of film directors. Winner and participant of the international film festivals and film projects.
Filmography: 2004 Tiny Katerina, 2006 Crossroads.

PRETTY DYANA

45 mins, Serbia
Director / company: Boris Mitic / Dribbling Pictures

An intimate look at Gypsy refugees in a Belgrade suburb who make a living by transforming Citron's classic 2cv and Dyana cars into Mad Max-like recycling vehicles, which they use to collect cardboard, bottles and scrap metal. These modern horses are much more efficient than the cart-pushing competition, but even more important they also mean freedom, hope and style for their crafty owners. Even the car batteries are used as power generators in order to get some light, watch TV and recharge mobiles! Almost an alchemist's dream come true! But the police doesn't always find these strange vehicles funny...

Boris Mitic was born in 1977 in Leskovac, southern Serbia. Lived on a few continents, graduated in mass communication, settled back in Belgrade, fought a war, worked for 5 years for top-level international media, understood some things and dedicated the rest of his life to his family, football and one-man documentaries.
Filmography: 2004 Pretty Dyana, 2004 Unmik Titanik.


MERCHANT OF MIRACLES

52 mins, Belgium, 2006
Director / company: Gilles Remiche / Les Filmes de la passerelle

The film is a journey to the heart of Kinshasa to discover the "churches of healing" also called the "the churches of awakening". Their promises of healing incurable diseases, of obtaining a visa for the European eldorado or even of immediate prosperity attract the majority of Congolese to these churches. In this unbelievable world the violence of the worship services reflects that of the misery and the tragic-comical language of tele-evangelists, with their cynicism, megalomania and surrealism, responds to the hopeless naivety of the faithful.


Gilles Remiche was born in Brussels in 1979. He studies video-art in the University of the Eastern London and during his studies he shoots some video-works. Returning to Brussels Zhil Remish works as an editor, assistant producer and operator. He shoots various reports for Belgian TV ( television and radio broadcaster of French community in Belgium) all over the world.

THE LOST VILLAGE

52 mins, Spain, 2006
Director / company: Manuel Jiménez Núñez / Producciones Talento Andaluca

In an inhospitable place, immersed in the sands of the marshes and surrounded by the quiet murmur of the woods, a whole village takes oaths every day, devoting themselves to the single purpose of protecting, watching over and venerating the image of the Virgin, which is the beginning and end of their lives for countless generations. The lost village tries to show the tremendous network of sentiments and passions that converge in this singular relationship, forged generation after generation and tempered through the centuries.

Manuel Jiménez Núñez was born in Malaga (Spain), 26th June 1973. Graduated in Audiovisual Communication Sciences from the University of Mlaga. The 2nd Festival de Cine Espaol de Mlaga, videocreation's winner with "The magician". "The lost village", his first feature-length documentary film, won the Jury First Prize and was voted Best Spanish Film at the year's Festival Internacional de Documentales de Madrid (DOCUMENTAMADRID 07).


FIREKEEPERS

57 mins, Norway, 2007
Director / company: Rossella Ragazzi / SONAR FILM

Anthropological study and documentary portraying two young Sami (Lappish) yoikers (Sami traditional chanting technique) in their search for the past connections to their traditional ways of life and their successful career as rock stars in Europe. A film about the process of combining a local and global life, young culture, ethnic minorities struggles for coming to term with the colonial repression of the past.


Rossella Ragazzi (MA, PhD, currently Senior Research Fellow at University of Tromso), born in Rome in 1965. Her main fields of research are: media applied to anthropology, transcultural cinema, communication, performance, migration, childhood, visual and cultural studies. Former senior lecturer at Visual and Cultural Studies Dept. at the University of Tromso, institute of Social Anthropology from 1998 to 2007 and anthropological film supervisor of MA students in Visual Anthropology.
Selected filmography: 2000 La Memoire Dure, 2001 The Enigma of Health: Gadamer, 2003 At home in the World, 2005 Walking on Uneven Paths, 2007 FirekeepersAt home in the World.

NAINA JOGIN (THE ASCETIC EYE)

59 mins, India, 2006
Director / company: Praveen Kumar / ANDAAZ PRODUCTION

In Madhubani, people struggle against trying circumstances to eke out a living. Many have taken to painting to survive. Until a few years back motives having a strong ritual basis were painted on the cow dung coated walls of huts. Now artists paint these traditional motives on paper. These paintings are then sold in markets in India and abroad. While many painters repeat certain traditional motives other artists boldly expand the scope to include contemporary themes. The film is about these painters, their circumstances, their inspirations and their works. The film grows to completion by a criss-crossing of narratives stitched together by sights and songs of the milieu that births these artists. The central line of the film is the Khobbar ritual in which a newly married couple spend three days and nights in the painted Kohbbar Ghar before they may consummate their marraige. This vigil over desire provides the film with a mysterious energy...

Praveen Kumar was born in 1964. In 1987 he received his Diploma in Cinema, Varan, Paris. Graduation in Economics Delhi University,1985. Started his career based in New Delhi as an Independent film director and producer of many documentary / corporate films / docu-drams / films with HTA, NCERT, UNICEF, Cine India TV, Royal Norwegian Embassy, Doordarshan. He also worked as an in-house producer for "Business India" TV. Besides, he is a student of Classical Hindostani Flute.


CHHOU DANCE OF PURULIA

39 mins, India, 2007
Director / company: Dhananjoy Mandal / Eastern Zonal Cultural Centre

Chhou is a folk dance with powerful idiom. The folk dance performance with mask in the Purulia district of West Bengal in India. The documentary film on Chou dance, presents its history, its present forms, analytic presentation of its uniqueness, its possibilities. It deals with Artist of Chhou with their livelihood. In spite of their hardship, their inherent artistry leads the folk dance alive.

Dhananjoy Mandal, 4 International & 2 National Awards winning film maker, comes from country side of Bengal, India. He is a self-taught film maker. He is making documentaries, short and feature films for more than a decade. Altogether 28 films have in his credit. His films had participated in a number of national and international film festivals at home and aboard.
Selected Filmography: A Silent Killer, A Journey With Kakmaras, Gangasagar, Talbanami, The Story of WBSEB.

THE BORDER

55 mins, Greece, 2007
Director / company: Athena Peglidou / University of Ioannina

Migration through the Greek-Albanian borderline is defined from a constant flow of people and goods from the one side of the border to the other, legal or illegal. his flow ignores the line that divides the two national states and creates networks of economic and social relations. The phenomenon is first of all a result of geographic proximity but is also related to the reestablishment of pre-existing bonds between neighboring areas on both sides of the border. One should not leave out the complex cultural affinity between communities and ethnic groups in the region that make easier the communication among locales that were violently divided by the national border. Filming, result of long-term fieldwork, focuses on the life experiences of individuals, follows their itineraries and their border crossings, attempting through a participant camera, to put down their interpretations, motives and dilemmas.

Athena Peglidou is at the University of Thessaly (Volos, Greece). She holds a BA in Aristotle University of Thessaloniki), D.E.A. in Social Anthropology, D.E.A. in Anthropological Cinema and Documentary, Ph.D. in Social Anthropology (Ecole des Hautes Etudes en Sciences Sociales, Paris). Her academic interests focused on the social construction of mental disorder through the paradigm of cleaning compulsion among Greek women, the conceptualisation of psychic and somatic in mental illness, the symbolic uses of drugs and the therapeutic itineraries of Greek depressive women. In general her research interests include the anthropology of illness, gender anthropology and the application of visual technologies in fieldwork research.
Filmography: 1998 Cultus Luminis.


KEEP THE DANCE ALIVE

75 mins, Namibia & Angola & France, 2007
Director: Rina Sherman

A unique voyage through the music, dance and spirit possession practices of the Ovahimba people of north-western Namibia and south-western Angola, The documentary presents a singular vision of the Ovahimba people, that of director Rina Sherman who filmed the lives of an Omuhimba family for seven years. She focuses on how singing, rhythm and voice work together with dance and spirit possession to compose a complete imaginary universe and a dense and complex social structure.


Rina Sherman was born in South Africa, was exiled from the country and settled in France in 1984 where she has been living and working since. A classical musician by training, she worked as independent theatre actress and as vision mixer for South African television, before turning to filmmaking. In 1990 she completed a doctorate with distinction at the Sorbonne, supervised by Jean Rouch. Rina Sherman has initiated several cultural projects and was awarded the prestigious French prize, Villa Mdicis Hors les Murs, which allowed her to realise extensive research in the film archives of the Southern African region.
Selected filmography: 1983 Eugene Jardin, 1984 Entrance and Exit with Suzanne, 1992 An Egg without a Shell, 1994 Bantu Education, 1996 This is my Regular Album, 2000 Kurakurisa Ouruvi / Shake Your Brains, 2006 Ovaryange Tji Veya / When Visitors Come.

SCHOOLSCAPES

77 mins, Australia, 2007
Director / company: David MacDougall / FieldworkFilms, CCRMediaWorks

Inspired by the cinema of Lumiere and the ideas of the 20th century Indian thinker Krishnamurti, David MacDougall explores in his new film a famous progressive school in South India, the Rishi Valley School. This is a film dedicated to the simple act of looking, in which each scene is a single shot.

David MacDougall is a documentary filmmaker and writer on cinema. MacDougall writes regularly on documentary and ethnographic cinema. He is presently a Professorial Fellow at the Centre for Cross-Cultural Research, Australian National University, Canberra.
Selected filmography: 1972 To Live With Herds, 1979 The Wedding Camels, 1991 Photo Wallahs, 1993 Tempus de Baristas, 2000 Doon School Chronicles, 2001 With Morning Hearts, 2003 The New Boys, 2004 The Age of Reason.


AFTER THE WAR

45 mins, Serbia, 2006
Director /company: Srdjan Keca /Atelier Varan Belgrade

High up in the mountains of Kosovo live the Gorani, a small Islamic people of Slavic origin, with no country of their own. The Kosovo war of '99 brought unrest into these fable-like parts and lives of the people, pushing them away in search of a new life. The ones who remain tell their stories before the winds carry them away.


Srdjan Keca was born in 1982 in the smoggy but quiet town of Pancevo, Serbia. Studied theoretical and experimental physics at the University of Belgrade. In 2004 completed the French documentary filmmaking school of Ateliers Varan and together with colleagues from Serbia founded Atelier Varan Belgrade, a documentary film production and training centre, which he was running until the end of 2007. In 2005 he produced a series of 8 documentaries entitled Serbia Verite, and spent many magical months in the south of Kosovo, making one of them After the War. In 2007 he helped produce and organize a regional Varan workshop with 12 filmmakers from former Yugoslav countries. Presently studying Geography and Environment at the University of London, tying together too many knots, preparing new films, and hoping for the best.

ROOM 11, ETHIOPIA HOTEL

23 mins, 2007, Japan
Director: Itsushi Kawase

This film aims to capture a sense of the life of children living on the street in Gondar by witnessing the interaction between two children and the film-maker. Although it is about the children's life on the streets, the entire film was shot in the film-maker's room in the Ethiopia Hotel. This limited space allows the film to focus on communication between subjects and film-maker and to reveal some of the ideas that enable them to endure and survive on the streets. This film is more a sensitive testimony than a scientific documentary. Through its hybrid approach, the film-maker aims to explore new trends in visual anthropology touching upon intimacy and subjectivity.

Itsushi Kawase is a filmmaker, anthropologist, and Buddhist monk currently living in Kyoto, Japan. He was born as the fifteenth heir of the successive Shin Buddhist temple in the village of Gifu in 1977. He studied anthropology at Ritsumeikan University and the University of British Columbia. He pursued his musical career, practicing improvisational performances with various artists in Japan, Canada, and India during the late 1990s. In 2001, he initiated the long-term anthropological research on hereditary singers in northern Ethiopia. Itsushi Kawase is currently a Research Fellow of the Japan Society for the Promotion of Science.
Selected filmography: 2005 Lalibalocc Living in the Endless Blessing, Kids got a song to sing, 2007 Dansing Addis Ababa.


A YEAR OF THE PLOUGHMEN

28 mins, Slovenia, 2006
Director / company: Nasko Kriznar / Audio-Visual Laboratory, Institute of ethnology, Scientific research center of Slovenian academy of sciences & arts

In Europe there is probably no area as small as Slovenia that would keep the culture of rural masks so original and diverse. In the Slovenian ethnic territory we know two distinctive carnival regions: western and north-eastern. The most characteristic carnival group are the societies of Ploughmen. One of them is presented in the film. The main activity of the society, however, is preparing and carrying out of the local carnival fasenk. The goal of the society is to preserve characteristic masks, clothes, carnival figures and the general image of carnival events according to local heritage. Both fasenk and other traditional carnivals are changing very fast. That is why it is urgent that we ask ourselves what does fasenk mean to people today and how to preserve its original image.

Nasko Kriznar, ethnologist, visual anthropologist, affiliated at Institute for ethnology, the head of Audio-Visual Laboratory, director of the festival Days of ethnographic film in Ljubljana, university teacher, Koper. Key words: visual ethnography, intangible heritage, history of ethnographic film, visual studies, regional ethnology.
Selected filmography: 1970 White people, 1989 The traces of Perun's cult in Macedonia, 1992 The bread of Istria, 1995 Christmas bread, 2001 Flute, 2005 Maypole.

NGAT IS DEAD: STUDYING MORTUARY TRADITIONS

59 mins, Papua New Guinea & Denmark, 2007
Director / company: Christian Suhr Nielsen, Ton Otto and Steffen Dalsgaard / Moesgard Film

What does it mean when anthropologists claim to study the cultural traditions of others by participating in them? This film follows the Dutch anthropologist Ton Otto, who has been adopted by a family on the island of Baluan in the South Pacific. Due to the death of his adoptive father he has to take part in mortuary ceremonies whose form and content are however forcefully contested by different groups of relatives. The film is part of long-term fieldwork in which filmmaking has become integrated in the ongoing dialogue and exchange relations between the islanders and the anthropologist.

Christian Suhr Nielsen, born in Denmark, is a graduate student at the Department of Anthropology at the University of Aarhus. He has produced a number of films for ethnographic and archaeological exhibitions at Moesgaard Museum.
Filmography: 2004 Want a Camel, Yes?






Ton Otto, born in the Netherlands, is professor of anthropology and ethnography at the University of Aarhus. He has conducted fieldwork in Papua New Guinea since 1986. From his first fieldwork (198688) he has used video re-cordings as part of his research and analysis but also as a means of exchange with the local people, who value receiving films on their culture.


SWING

49 mins, Russia, 2006
Director / company: Anatoly Baluev / STRC "Ural"

"All my terms I've earned with my fist", says the hero of the film Vladimir Suslov. That is he served all his four terms of 20 years in total for hooliganism. It is known that a side blow is called a swing. But swing also means jazz, which is the greatest passion of Suslov. He is a musician by profession a drummer and percussionist. Vivid monologues of this peculiar Russian man reveal all his contradictory life, beginning from early childhood...


Anatoly Baluyev was born and grew up in the Komy Permyak Autonomous District, Russian Federation. He graduated from the Russian State Cinema Institute (VGIK) in 1973 with the diploma of a film critic. Since 1976 Mr. Baluyev has been shooting films. All of them won awards at film festivals both in Russia and abroad. Anatoly Baluyev is a holder of the State Literature and Arts Award of the Russian Federation and a member of the Russian Academy of Motion Picture Arts and Sciences. He lives in Yekaterinburg.
Selected filmography: 1976 Oh Bicycle!, 1988 The Fugue, 1992 We Were Smoke, 1994 Waves, 1998 The Choir, 2000 Bikkoboy (Sacrifice of Bulls).

ONE IN THE FAMILY

26 mins, Russia, 2007
Director / company: Evgeny Aleksandrov / Centre for visal anthropology, Moscow State University

Old believers in Russia have a specific role as the most spiritually rich and at the same time tragic personification of the nation's historical pathway. Fate of every old believer family line is an example of suffering and tenacity. Lyubov Mikhailovna Deikova, our favorite heroine, is a very modest and very gifted person. But it is the point of other films. In this film Lyubov Mikhailovna tells about her familly.

Evgeny Aleksandrov, leading research assistant, Doctor of Fine Arts, the scientific advisor of the video-group of the Center of New Information Technologies of Moscow State University. The head of the public Center of Visual Anthropology of M.V.Lomonosov Moscow State University. Has about 60 publications on visual anthropology. Monograph "Discussions of theoretical and methodological problems of visual anthropology", Editor of six collected articles on visual anthropology. Producer of video works of CVA MSU.
Selected filmography: 1998 Desert, my desert..., 2000 To help Theodor, 2004 To Luba and further, 2005 Island of faith, 2005 Years in a hand.


MAKING RAIN

53 min, Estonia & Norway & Mozambique, 2007
Director / company: Liivo Niglas, Frode Storaas / MP DOC

The Vumba Hills in central Mozambique, close to the Zimbabwe border, are the kingdom of Mambo (Chief) Chirara. The Mambo's leading position is acknowledged by the government, and in addition to being the region's most important spiritual leader, the Mambo has the right to hold court cases that deal with minor crimes, problems involving spirits and domestic affairs. He is assisted by several subchiefs and ritual leaders. In the northernmost corner of the Mamb's kingdom, Mbuya Gondo, an over 70- years-old woman, is a spiritual medium. She often holds ceremonies at a well-known rock drawing site. Mambo Chirara is not pleased with the old lady's activities. In his opinion, Mbuya Gondo acts too independently and demands too much money for carrying out the ceremonies. In the film, gender issues and local politics are brought to the surface as we follow these two leaders during a period of preparing for and performing the annual rainmaking rituals.


Liivo Niglas was born in 1970 in Jgeva, Estonia.

Employment: film director, producer, mp doc films, Keila, Estonia; lecturer of ethnology at Tartu University, Estonia. Education: BA., Departement of History, Tartu University (1995); MA., Chair of Ethnology, Tartu University (1999); PhD. programme, Chair of Ethnology, Tartu University (since 1999).

Film studies: documentary film programme at Ateliers Varan, Paris, France (25.05.1998- 08.08.1998).
Selected filmography: 2000 The Brigade, 2003 Yuri Vella's World, 2004 Adventure High, 2005 Julgi.

Frode Storaas, PhD, adjunctus professor of the Anthropology Department of the Univercity of Bergen, Norway As an anthropologist stydies general anthropology, i. e. adaptation, economy and politics. As an ethnographic filmmaker have been involved in projects in Africa and the Middle East, in Mexico and USA, in China and in Norway.

KORKA TUY. HOUSE-WARMING FEST

13 mins, Russia, 2008
Director / company: Elena Popova & Anatoly Dobryakov / STRC Udmurtia Sound producer: Yuri Shklyaev

Lisa-apay invited relatives and friends for a house-warming. The celebration includes family prayer and dinner with ritual courses. Ancestors are also remembered on the occasion. Fest for the house, merrymaking and food provide happiness and well-being for the residents.


Elena Popova, Ph.D. is a senior research fellow of the Etnology Department at the Udmurt Institute of History, Launguage and Literature (Ural section of the Russian Academy of Sciences), editor of the TV channel "Moya Udmurtia" (My Udmurtia), Researcher the Finno-Ugrian peoples of the Volga region, Udmurts and Besermyane.
Filmogarphy: 2000 Baba Anya, 19992002 Just a Story (TV Program), 2003 Visiting Zhaky Apay, 2003 Potmaskon, 2005 The Imaginary World of Dmitry Kilin, 2006 "Grain Ear", 2007 Vorshud, the Symbol of Clan, etc.


BEACHED

65 mins, Peru, 2007
Director/company: Felipe Degregori / Buena Letra producciones Sac

The lives of a group of young migrants to the city of Lima appear like the turbulence thrown by waves haphazardly on the shore. Immersed in an element that resists their absorption, those beached in this city resort to their greatest virtue, perseverance, to impose themselves upon the waters, creating a beachhead of hope. This documentary from Felipe Degregori, paints a fresco reflecting the experiences of this diaspora of thousands in search of a fulfilment unachievable in their places of origin. In the city, however, too often this hope founders on the inequality, the racism and the exclusion that still impregnates our society.Beached makes visible these pioneers who, with their effort and their dreams have transformed the capital of Peru.


Luis Felipe Degregori Caso was born in Lima Peru, studied at Lomonosov University in Moscow, where graduated from the Faculty of Cinema and Television. When returning to Peru, between 1976 and 1979, directed and produced several shortfilms. In 1980 directed his first feature film and in 2004, after filming two more features, created the company BUENALETRA Producciones, in which he produces Social Documentaries until today.
Selected filmography: 1993 We Are All Stars, 2000 The M City, 2004 Defending the Truth.

THE TELEPHONE EULOGIES

20 mins, Canada, 2008
Director / company: Joe Hiscott / Etherman Productions

Spoken in 12 languages, The Telephone Eulogies, is a living experiment on film that combines a children's game of broken telephone, a self-penned eulogy and a transcultural cast of translators, performers and language enthusiasts. The film follows the eulogic narrative as it snakes its way through 12 languages and 21 translations, ultimately shedding layers of the original message as it is transformed by miscommunication, misunderstanding, misperception and misnomer. Ultimately, the message suffers a slow death by interpretation while continually giving birth to new possible meanings. Let us mourn the passing of the message...

Joe Hiscott is a self-taught artist and filmmaker who has been producing internationally acclaimed works since 2000. From documenting a blind nomad across India, to farming in Brazil, to filming and performing in front of stock exchanges around the world, Joe's unusual experiences have contributed greatly to his exhaustive observations of the "global mind". His current explorations lie in the realm of human perception and its role in creating meaning, spanning all languages and cultural contexts. He resides in a Quebec rural village when he's not somewhere else.
Selected filmography: 2001 Something Somehow, 2002 Mildly Smokey, 2005 Business As Usual.


AUTUMN EQUINOX

50 mins, Azores & Portugal, 2008
Director / company: Teresa Tomé & Antonietta Costa / Centro Cultural da Caloura & Portuguese Television in Azores

This episode is part of a conjunct of four videos and an introductory, as a general approach to the mythologies connected to the European agrarian cults. They depict the strain of the beliefs related to the Earth forces and the perception of cosmic interchanges, which, while part of the European culture, have prevailed and are still component of the post modern thought. The Autumn Equinox covers the development of the feminine sacred, following an evolutionary line from the Mesopotamia to Egypt and Greece, Rome and the Iberian Peninsula, invigorating in the Azores, where it is expressed through rituals and celebrations.


Maria Teresa V. Tomé was born in 1956 in the city of Ponta Delgada, S. Miguel, Azores. She got a degree in Journalism in 1989, producing several documentaries to the Portuguese Television in the Azores. During two years she produced for this television the magazine of culture "Espaco Vital", among others about the History and Ethnography of the Azores. Selected filmography: 1995 Vidas, 1996 Os Trabalhos do Linho, 1997 Gente de Beira Mar, 1998 Jose do Canto, Histria de uma Vida, 1999 Peixinhos do Mar, 2000 A Senhora da Rosa, 2005 Terra do Espirito, 2006 Acores.

Antonietta Costa holds Ph.D. in Social Psichology. Autor of several ethnographic videos. Work at the Regional Government of the Azores, Departament of Culture.

PEACE FOR ALL

26 mins, MACEDONIA, 2007
Director: Elizabeta Koneska

In the west part of Macedonia, at the little town called Makedonski Brod exist temple called church Sn. Nicolas / turbe H'idir baba. Today in this shrine prayd Orthodox Christians, Muslims (Bektashi orders, Halveti orders and Sunni) and they all acknowledge the fact that it belongs to all of them and they can use it equally.

Elizabeta Koneska, ethnologist, senior curator in Museum of Macedonia, Skopje. 1984, Graduated at the Department of Ethnology at the Belgrade University. 1993, A Master's degree at the Department of History of Art at the Mimar Sinan University in Istanbul, Turkey. Since she have learned Turkish language she research the traditional Turkish culture in Macedonia, Turkish ethnic minorities and ethnic and religious identity in other Muslims groups, as an different groups of dervishes orders and Macedonian speaking Muslims.
Filmography: 1993/94 The Iron Church Above the Water, 1994 As We would Go to Istanbul, 1997 Profession in Motion Tinsmiths from Krusevo, 2000 The Sound of Hamer, 2002 The Belgrade Coppersmith, 2003 Adak / Oath, 2004 Badnik and Kolede, Rusalii, 2005 The Day of Ashure, 2006 Bektashi enter and see, 2007 Peace for All.


MEN AND WOMEN IN CUSTOMS AND RITUALS

27 mins, Usbekistan, 2006
Director / company: Oleg Karpov / Studio NONAME

Customs and rites determine the models of behaviour which may only seem harmless. How they fit the place and time in which we live? What is their role in constructing gender sterotypes?

Wedding, circumcission, beshik-toy and many other rites and rituals of the peoples of Uzbekistan what roles do they give to men and women? We were interested in this problem.


Oleg Karpov was born in 1963. Worked at the Uzbek TV and Radio. Since 2003 directs documentaries. Currently he is a Curator of the Tashkent Museum of Cinema and the "videoART.uz" Festival.
Filmography: 2003 To Be or not to Be, 2004 There Would Be No Cartoons, 2006 Men and Women in Rites and Customs; Sunnat-tuy; Vague Charm of Feminism, 2007 Hostages of Eternity; Live and Die in Samarkand, 2008 Epitaph.

AINU: PAST AND PRESENT

102 mins, Japan, 2007
Director / compeny: Uchida Junko & Suzuki Yuki / The National Museum of Japanese History; Okada Kazuo, Cinema Inc.

In early 1930-ies Scotch medical doctor Neil Gordon Munro settled in the Ainu village Nibutani, Hokkaido and continued his anthropological research until his death in war time, 1942. His film on Ainu Bear sending ceremony film was shot in 35mm with assistance of professional cameramens and 16mm version was sent to Royal Anthropological Institute. However remained stocks in Japan were faced complicate destiny. This is a documentary on filmed Ainu rituals and about Ainu people themselves in past and present.

Uchida Junko is an Ethnomusicologist and her main research field is Ryukyu (Okinawa) islands and this is the first her long documentary.

Suzuki Yuki is professional film maker and her background is biology. She is mainly engaging direction TV natural history program and scientific film for education.

Kazuo Okada was born in 1942 in Tokyo. He graduated from the Director Department of VGIK (All Union State Institute of Cinematography) in Moscow. He has been making documetnary and scientific films in the fields of biology, natural history and visual anthropology for almost 40 years. Now he is the head of TokyoCinema, Inc. studio and a director of Simonaka Memorial Foundation's archive.

LUC DE HEUCH. WILD THINKING.

40 mins., Belgium, 2007
Director: Karine de Villers

Thanks to his questioning of the world, the ethnologist and film-maker, Luc de Heusch allows us to enter his thoughts, thoughts that are both scientific and poetic. Building bridges between different cultures, his films and books attest to the diversity that exists within the realm of reality, and this diversity allows the very distinct worlds of art, war, cooking, theatre, magic and love to communicate with one and other with incredible ease.

Karine de Villers, was born in Quito, Ecuador in 1965, Karine de Villers obtained a degree in art history and archaeology from the Universite Libre in Brussels. Since 1990, she has worked in various capacities on short and medium-length documentaries.
Selected filmography: 1990 I'm your neighbour, 1996 Place a Saint Josse, 1999 Littl castl, 2001 How I see Her, 2003 The Men of My Life, 2004 I'm alive.

THE FUTURE OF VISUAL ANTHROPOLOGY

16 mins, Germany, 2006
Director: Martin Gruber

In the summer of 2001 the IWF in Gttingen hosted the conference "Origins of Visual Anthropology Putting the Past Together". Immanent representatives of the field came together to discuss the history of the subdiscipline. "The Future of Visual Anthropology" is a short film that presents the common themes that were touched upon during these conversations. It is a reflection on how people talk and think about the future, present and past of Visual Anthropology in 2001.

Martin Gruber studied Visual Anthropology at Goldsmiths College London in and Social Anthropology at Hamburg University. He is currently working as a freelance teacher, researcher and filmmaker in Hamburg and around the world.
Filmography: 2000 Marabout, 2002 Sleeping rough.


STORIES ABOUT SIBERIAN SCIENTISTS

40 mins, Russia, 2008
Director / company: Larisa Tataurova & Pavel Orlov / msk State University

One could rarely meet stories devoted to scientific men, their professional activity and working environment in various images of contemporaries fixed in films. We could watch them on TV just in connection with colossal inventions, presentation of state prizes or in obituary notice what is more sorrowful. Our film is a cycle of video stories about scientists Siberian by origin. Unfortunately, we've already missed a lot of time, a lot of our teachers and many of their close associates and opponents died. But still it's possible that something could be done


Larisa Tataurova conducts field videodocumentation for over 10 years collecting archaeological and ethnographical material on Russians living in the basins of small Siberian rivers. She works with Pavel Orlov since 2001. Together they made six films including: 2003 Visual Archaeology, 2004 Such a Simple Story, 2005 Remember This, 2006 Five Siberian Rivers, 2006 Nobody is Making Cinema about That.

ALPINE SETTLING IN ADJARA (GODERDZI GORGE BESHUMI)

17 mins, Grusia, 2007
Director / Company: Loriya S. Manuchar / Niko Berdzenishvili Intitute, Anthropo Studio

The film shows the historical and ethnographical characteristics of the Alpine settlements in Adzhariya (Goderdz Pass Beshumi): types of housing and the settlement structure, the folk holiday "Shuamtoba" and the Beschumi resort.

Manuchar Loriya, Ph.D. ethnologist working at the History, Archaeology and Ethnology Department of the Shota Rustaveli State University, head of the "Anthropo" Studio. In 20022005 worked as a director at the "Telekanal 25" TV Company.
Selected filmography: 1999 Khorumi, 2000 Nigal Gorge, 2001 Jewish Diaspora in Adzhariya, 20022003 Georgian History Chronicles (17 series), 2003 Tao-Klardzheti, 2007 Nigazeuli, Alpine Settlement in Adzhariya (Goderdz Pass Beshumi).


IDENTITY OR IN SEARCH OF "REAL CHUVASH"

30 mins, Russia, 2007
Director / company: Ekaterina Yagafova

Using Chuvash local groups as an example the film presents the complexity of the ethnic self-identification process. The heroes of the film live in the Urals area Chuvash villages and have different interpretations of their own consciousness. What makes them "Chuvash": language, religion, folklore, historical past or contemporary everyday reality? Is it possible to retain the Chuvash self-identity without the language and culture?


Ekaterina Yagafova graduated from the Moscow University History Department and did her postgraduate studies in ethnology there (Ph.D.,). Doctor Habil. She is an author of three monographs and over 40 articles.
Filmography: 1999 Uyav, 2000 Ker Sari (Autumn Beer), 2001 Munkun (Easter), 2001 Chuvash Tene (Chuvash Faith), 2001 Chuk (Offering), 2004 Yupa.

ELIMAI. REPATRIATE CHRONICLES

50 mins, Kasachstan, 2007
Director / company: Asiya Baygozhina / SC "Kasachfilm"

This is a drama about returning. When Kazakhstan became independent it launched a state program on the Kazakh homecoming back to their historical motherland. In 15 years over a million of Kazakhs returned. Film consists of several chapters called by the names of its heroes. Repartriants returning from China, Tadjikistan, Karakalpakiya tell their life stories of homecoming. "Elimai" (O, My People) is the most famous Kazakh song about the hardships of leaving the motherland dating back to the XVIII century Dzhungar invasion.

Asiya Baygozhina graduated from the Kazakh State University and the Higher (Moscow). Worked at the "Sh. Aymanov Kazakhfilm" Studio and at the TV, headed the "Parallel" Youth Studio. Now she is a dean of the Cinema and TV Department of the Zhurgenov Kazakh National Academy of Arts. Baygozhina shoots documentaries and conducts classes of documentary cinema.
Selected filmography: Chronicle of the Undeclared Demonstration; Dinmukhamed Kunaev; Chronicles of Life and Death; Desire of Light


WELCOME TO ENURMINO!

60 mins, Russia, 2008
Director / company: Alexey Vakhrushev / TV-company "Ethno-nlain"

More than 6000 km from Russian capitol. Chukotka peninsula.One can get to Enurmino village and get out of it only by miracle... The film tells about modern life of the indigenous peoples of northeastern coast of Russian Federation and some perspectives of their race and their culture to the future.


Alexey Vakhrushev was born in 1969 in Anadyr' (Chukotka). In 1996 graduated from VGIK (Institute of Cinematography). Since 2000 is a director and scriptwright at the TV Company "Ethno- Online". Member of the Russian Cinematographers' Union.
Selected filmography: 1996 Birds of Naukan, 2001 Island, 2003 Treasure of Semen Dezhnev, 2004 Walrus Fang Chronicle, 2005 Hunters of Freezing Coasts, 20052007 People of the Bering Strait; Chuvan Treasure; Bone Coast of the North; Mist Travellers; Heirs of Taymyr Shamans; Images of Time, 20052008 Miracle Factory; Welcome to Enurmino!

NEDARMA MOTHER

78 mins, Finland, 2007
Director / company: nastasia Lapsuy, rkku Lehmuskallio / Girofilm

"Nedarma Mother" is devoted to the eartly and heavenly roads, to the Nenets travels in their life. They describe themselves: "Nenets are born in the road under stars, by stars they find their way to the tent tonight, stars illuminate the last pilgrimage when the soul of the Nenets nomad starts its longest travel to the underworld".

Markku Lehmuskallio born 1938 in Rauma. Film director and cinemaphotographer. 1964-69 forestry technician. 1969-72 industrial shorts and commercials. Anastasia Lapsuy, Film director and screenplay. Born 1944 in Yamal Peninsula, Russia. 1966-1992, Radioreporter, Salekhard Yamalo-Nenets autonomus area. 19851997 Journal Severnye prostory writings, Russia. 19871991, Scripts to Novosibirsk filmstudio.
Selected Filmography: 1994 Paradise Lost, 1995 The Farewell Chronicle, 1997 Anna, Sacrifice, 2001 Shepard, 2002 Mothers of Life, 2005 Fata Morgana.


THE RETURN TO ANGA

30 mins, Russia, 2006
Director / company: Raisa Ernasarova / " "

nga is a shaman-woman of Ulchi people. She was born in 1910 in a village Bulava of Khabarovskij region. Sofia Yakolevna Anga is the seventh and the last shaman woman in her kin. She was reluctant to become a shaman and suffering a great deal. But the spirits kept on coming to her. Anga tells that she gave birth to her sons from a tiger , and how they help her to fly during shaman ritual.


Raissa Ernazarova, kazakh. Graduated from journalism faculty of Kazakh State University, as well as Higher courses of "Goskino USSR" screenplay writers and film directors in Moscow. Shot about 60 films at such studios as Kazakhtelefilm, Mosfilm, Novosibirsktelefilm. Works by Raissa Ernazarova represent authentic video materials on cultures of Siberian people. Head of New Informational Visual Technologies Laboratory of Novosibirsk State University, Professor of UNESCO international chair at NSU, director of Center for Visual Anthropology.
Selected filmography: 1973 Music of Centuries, 1980 Echo of Centuries, 1989 Craddle, 1990 Refugees from Kagalym, 1992 The Last Shaman, 1995 Bear and Shaman, 2002 Siberian Kazakhs, 2008 Otan.

TEXTILES IN AYACUCHO

14 mins, Peru, Spain, USA, 2006
Director: Peter Biella

Textiles from the "Arts en Ayacucho" DVD, received the American Anthropological Association's Best Short Film Award. Shot in the thin air at 16,000 feet in Ayacucho, Peru, it follows the process of textile production from the shearing of alpacas to the dyeing and weaving of wool. "Textiles" is a work of applied visual anthropology. Independent of its ethnographic value, it was made first for wholesalers in Europe and the US to help the people of Ayacucho promote their textile co-op.

Peter Biella is Director of the Program in Visual Anthropology at San Francisco State Univesity. He is the past president of the Society for Visual Anthropology, was editor of "Visual Anthropology Review", and has authored many essays on anthropology and film.
Selected Filmography: 1972 Is This a Free School?, 1975 Priscilla, My Daughter, 1990 For Those Who Sail to Heaven,1993 Tete-a-Tete, 2006 Artes en Ayacucho, 2008 Four Stories.


THE KET FROM THE LAKE MUNDUISKOYE

30 mins, Russia, 2008
Director / company: Olga Kazakevich / Moscow Staite University

The polar village Maduika is situated at the largest lake in the Turukhansk district - - is the only place where the Northern Ket dialect is still spoken though by just a handful of people. All of the speakers are elderly people who can tell a lot about their hunting experiences and their rustling against a bear. The children listen to the Ket speech with interest but do not understand what is said and they are unable to speak their heritage language. All the life of the Maduika inhabitants is connected with the lake and clan hunting sites situated around the lake. In the old house and storehouse at the clan camping site traditional artifacts remembering the passed life are still preserved.


Olga Kazakevich, Linguist specializing in the documentation and description of endangered languages of Siberia (Selkup, Ket and Evenki). Over 190 publications including 6 monographs.
Selected filmography: 2001 The village Sovrechka and its inhabitants, 2002 Turukhansk district: people and their languages, 2005 Language as recollection (the Ket of the village Sulomai).

WHILE HORSES ARE RUNNING

26 mins, Russia, 2005
Director / company: Arkady Morozov / Kinokhronika

The film's heroine is a writer for children and a doctor (neurophysiologist) at se same time. And Russia is still strong with its working horses.




Arkady Morozov was born in 1937. In 1964 he graduated from the Mining Institute and in 1972 from VGIK (Institute of Cinematography). Since then he works at the Sverdlovsk (Ekaterinburg) Film Studio.
Selected filmography: 2002 In the Love Zone, 2003 At the Extreme Sea, 2004 Mayor, 2005 Whle Horses Are Running, 2006 Forest Fortress, 2007 About People and Dogs, VV City and Ryzhiy.


SMITHY IN THE WILD

30 mins, Russia, 2006
Director / comhany: Victor Malychev / Studia "A-film"

7 years ago several young men chose to break from the big city and to build a commune of their own, their business...





Victor Malyshev graduated from the Cinema Studies Department, Russian Cinema Institute (VGIK) in 1995. Now he is an Associate Professor of the Urals State Academy of Architecture and Arts. He teaches History of Cinema at the Animation and Computer Graphics Department. He combines his teaching activities with editing of the Archipelago newspaper.
Filmography: 1995 Giraffe, 2000 Cinomania 2006 Wild Blacksmith Workshop.

EVERYDAY LIFE OF ROMA CHILDREN FROM BLOCK 71

21 mins, Serbian, 2006
Director: Ivana Todorovic

There are 600 squatter settlements in Serbia, the inhabitants of which are mostly of Roma origin. Of these, 105 are in Belgrade with seventeen more in New Belgrade. Here, Ivana Todorovic documents the life of the Stankovic family who migrated from Southern Serbia in search of better opportunities. Provided with few social services, their living conditions are rough and the children work to help support their family.

Ivana Todorovic graduated from Belgrade University with a diploma in Anthropology. Her graduate thesis was her first documentary, Everyday Life of Roma Children from Block 71. Currently she is a student in the "New Policy School", an NGO Youth Initiative for Human Rights in Belgrade.
Filmography: 2006 Everyday Life of Roma Children from Block 71, 2007 Adem's Island.


SONA AND HER FAMILY

37 mins, Slovakia, 2006
Director / company: Daniela Rusnokova / Academy of Music and Dramatic Arts Bratislava, Slovakia

Not a valley, just a hole beside a dump. No path leading to the house, only mud on the way to a miserable shed. Lacking everything, but not a lack of kids. This is where Mrs. Sona lives in the middle of this Roma reality strong and intelligent. But also helpless.


Short documentary films and videos written and directed by Daniela Rusnokova produced by Academy of Music and Dramatic arts Bratislava, Slovakia.
Selected filmography: 2001 Jozef Luptak the Cellist, 2002 Terka, 2002 Such is reality, unpleasant..., 2003 Microfond for Woman, 2004 Pure Heart.

 

 

 
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